“Ambitious in its theoretical and ethnographic reach, this vital volume robustly explores the unruly political potentialities of photography while laying out multiple directions for a future anthropology of photography. Citizens of Photography is a landmark book.”
-- Karen Strassler, author of Demanding Images: Democracy, Mediation, and the Image-Event in Indonesia
"Citizens of Photography is a coherent whole. It is both a theoretical and participant-observational work in anthropology, and thankfully, the latter does not get trumped by the former. The volume would be accessible to a variety of disciplinary orientations, and the chapters work in tandem or for stand-alone use in undergraduate or graduate courses. In short, Citizens of Photography is a welcome addition to any cannon related to media, visual, or political anthropology."
-- Leighton C. Peterson Visual Communication Quarterly
"For the careful reader, untold stories of unknown photographers and cultural tropes emerge that reveal worlds of photographic and ethnographic practice from many countries often ignored by Anglo-American historians. How do other cultures use photography? This volume answers this question and analyzes the results. Recommended. General readers through faculty."
-- R. Hackemann Choice
"Backed by rich ethnography, this volume demonstrates that . . . popular photography continues to hold as the ground of identification, narration, and imagination of possible futures."
-- Mohamed Shafeeq Karinkurayil Journal of Anthropological Research
"[Citizens of Photography] offers a thought-provoking and convincing argument for how everyday photographic practices utilized by 'the people' have profound political effects."
-- Maria Quinata Afterimage
"Citizens of Photography offers a valuable contribution to the field of visual anthropology and photographic theory. It successfully moves the conversation from what photography represents to what it does in the world."
-- Kaitlyn E. Rich International Journal of Communication
“The contribution that Citizens of Photography makes to the field of photography studies is nevertheless incredibly generative in the ways it provides, through fine-grained analysis, a series of object lessons for studying civic uses of photography in real time. . . . the book offers a grounded theory of photographic citizenship that is both predictive and retrospective.”
-- Gabrielle Moser History of Photography