Mendings
Mendings
by Megan Sweeney
Duke University Press, 2023
ISBNs
Cloth: 978-1-4780-1646-5
Paper: 978-1-4780-1910-7
eISBN: 978-1-4780-9359-6 (OA)
eISBN: 978-1-4780-2373-9 (standard)
About the Book
Mendings tells an intimate story about family, selfhood, and the love and loss lodged in garments. In this narrative about making meaning of brokenness and grief, Megan Sweeney reflects on her childhood entanglement with her mother, her loss-filled relationship with her alcoholic father, and her attachment to the clothes that have mended her as she has mended them. Sweeney explores how clothing fosters communication and enables us to cultivate relationships with ourselves and with others, both living and deceased. In dialogue with other clothing lovers, writers, fiber artists, evolutionary biologists, historians, and environmentalists, Sweeney also foregrounds the entwinement of clothing, race, and gender as she considers the ethics and environmental effects of clothing consumption, the history of clothing in the US prison system, and the roles that textiles play as sources of creativity, artistry, and self-fashioning, even within conditions of constraint. For Sweeney, the act of mending is a way of living. Unlike fixing, which leaves no trace of damage or loss, mending allows Sweeney to embrace holes, rips, and threadbare patches as part of her life’s design.
About the Author
Megan Sweeney is Arthur F. Thurnau Associate Professor of English, Afroamerican and African Studies, and Women’s and Gender Studies at the University of Michigan, Ann Arbor. She is the author of Reading Is My Window: Books and the Art of Reading in Women’s Prisons and editor of The Story Within Us: Women Prisoners Reflect on Reading.
Reviews
"A text bursting with stories of familial wear, tear, and repair writ large on keepsakes. . . . As equal parts memoir and scholarly inquiry, Mendings challenges its readers to take clothing seriously, not only as a medium for personal expression or interpersonal connection but as a conduit toward greater social understanding and participation. I experience this text and its challenge as ethical and spiritual in nature."
-- Céire Kealty Christian Century
-- Céire Kealty Christian Century
"At the heart of Mendings is a powerful refusal of seamlessness. . . . Sweeney ultimately offers mending as a form of ethical act, a process of ‘always being ready to embrace the immanent ethical, communal, and collective possibilities that can emerge from disaster, being poised to find plenty amid barrenness, scarcity, and irrecoverable loss’ (p. 172). Echoing her approach to her father’s obituary, the purpose here is not to fix things, to create a whole, or to form a totality. Instead, it is to live while recognizing the holes, to find meaning notwithstanding wreckage."
-- Stephanie Clare Year's Work in Critical and Cultural Theory
-- Stephanie Clare Year's Work in Critical and Cultural Theory
"Mendings stands out among academic publications for its open embrace of subjectivity and exploration. . . . To Sweeney, clothing is a complex text worthy of many different modes of inquiry. It is a physical boundary, a personal armor, a document of the past, an exuberant display of agency, and a vital part of constructing and mending oneself."
-- Anna Rose Keefe Winterthur Portfolio
-- Anna Rose Keefe Winterthur Portfolio
Tags
Bereavement, Repairing, Design, Psychological aspects, Gender Studies, Women, Social aspects, Biography, Biography & Autobiography, United States, Social Science
Open Access Information
Label: University of Michigan
License: CC BY-NC-ND 4.0
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