Disordering the Establishment: Participatory Art and Institutional Critique in France, 1958–1981
Disordering the Establishment: Participatory Art and Institutional Critique in France, 1958–1981
by Lily Woodruff
Duke University Press, 2020
ISBNs
Cloth: 978-1-4780-0792-0
Paper: 978-1-4780-0844-6
eISBN: 978-1-4780-9029-8 (OA)
eISBN: 978-1-4780-1208-5 (standard)
About the Book
In the decades following World War II, France experienced both a period of affluence and a wave of political, artistic, and philosophical discontent that culminated in the countrywide protests of 1968. In Disordering the Establishment Lily Woodruff examines the development of artistic strategies of political resistance in France in this era. Drawing on interviews with artists, curators, and cultural figures of the time, Woodruff analyzes the formal and rhetorical methods that artists used to counter establishment ideology, appeal to direct political engagement, and grapple with French intellectuals' modeling of society. Artists and collectives such as Daniel Buren, André Cadere, the Groupe de Recherche d’Art Visuel, and the Collectif d’Art Sociologique shared an opposition to institutional hegemony by adapting their works to unconventional spaces and audiences, asserting artistic autonomy from art institutions, and embracing interdisciplinarity. In showing how these artists used art to question what art should be and where it should be seen, Woodruff demonstrates how artists challenged and redefined the art establishment and their historical moment.
About the Author
Lily Woodruff is Associate Professor of Art History and Visual Culture at Michigan State University.
Reviews
-- Jaleh Mansoor, author of Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia
-- Rachel Haidu, author of The Absence of Work: Marcel Broodthaers, 1964–1976
“Lily Woodruff's examination of conceptual painting in France is at once timely and long overdue. She offers a satisfying total narrative of the artworks situated in relation to the changing dynamics of both the state and the market as they came to determine culture without losing focus of the specificity of the aesthetic dimension of these interventions. She situates artwork as a vehicle for an intellectual and sensual proposition charged with capacity. I learned a tremendous amount from this book.”
-- Jaleh Mansoor, author of Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia
“This extraordinarily lucid book is required reading for anyone wondering how the 1960s—and even ‘democracy’ itself—still matters. As Lily Woodruff demonstrates, the top-down instrumentalization of participation was countered in that decade by an artistic landscape ranging from kinetic painting and wearable objects to handheld props and logos. In beautifully readable prose, she replaces French artistic practice in a geopolitical terrain that negotiates both Soviet and Maoist histories, making those practices once again urgently contemporary.”
-- Rachel Haidu, author of The Absence of Work: Marcel Broodthaers, 1964–1976
Tags
Art History Publication Initiative, Art French, Establishment, Interactive art, Institutional Critique, 20th & 21st Century, Government policy, France, Political aspects, European, Art, 20th century, History
Open Access Information
License: CC BY-NC-SA 4.0
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